I was in the
grip of what I now see was an addiction, a very modern affliction. I
wasn't exactly a hoarder but equally, I never let anything go. I used to
think it was right and proper to keep every book I ever read, including
the mangiest paperback from three decades ago.
My
thinking was, why have one pen in a jar on your desk when you could
have a dozen, including that novelty one with the Donald Duck head and
three from hotel chains? And I'm not throwing out that red glitter glue
pen, it will come in handy next Christmas.
Ditto
the three pairs of secateurs, even though I no longer had a garden.
Likewise the never-worn clothes and the sad, unloved handbags that
sulked in a corner of my wardrobe like leather orphans. There are only
two of us but my house was full of stuff, stuff, stuff like that,
silting up at the seams, ready to withstand the siege that never came, a
landfill of life that grew every year.
Then I saw
the light. Or rather, I had the light thrust upon me. My circumstances
over the past six years have been a continual boomerang of moving into
one home while the other was refurbished, moving back, moving out again,
moving somewhere else.
And
each time we moved, the cupboard spaces seemed to get smaller and the
surroundings less hospitable to the cavalcade of - let's be honest -
junk I was carting around. It became a pain. I began to ask myself, do I
really need all this rubbish? For what good purpose?
The
turning point came when we had a flood in a storage cupboard which
ruined all my lovely bed linen, collected over many years. I spent a
long time secretly mourning my Italian 500-threaders, but it changed
everything.
Realisation
dawned that not only could I survive without my beloved velvet
counterpane and four sets of bobble-trimmed pillowcases, but life was
actually much easier without them.
Less
choice but more space. Cry freedom from quilts! And from the wreckage
of those sodden sheets, I emerged a new woman; a born-again minimalist.
Once you decide to reduce everything cluttering up in your life, there is no shortage of people out there to help you.
A
woman called Marie Kondo has become famous for inventing the Kon-Mari
method of tidying. In her bestselling book, The Life-Changing Magic Of
Tidying Up: The Japanese Art Of Decluttering And Organising, she argues
that unless you truly, deeply, madly love an item, it has no place in
your home. Let's hope she makes an exception for husbands.
Marie
also shows her readers how to fold jumpers into neat, woolly packages
and advises them to avoid buying fancy storage solutions such as hampers
and hat boxes because they only encourage hoarding.
Flamboyant
interior designer Laurence Llewelyn-Bowen preaches the same mantra. He
never designs bathrooms with lots of shelves and cupboards because
'they'll only get filled up with bottles of gunk'.
Meanwhile,
self-help guru Gretchen Rubin's book The Happiness Project has sold
millions of copies. She believes that happiness begins with a tidy
wardrobe and a calm home.
To
this end she subdivides clutter into categories such as crutch clutter
(things you wear but know you shouldn't, like horrible but comfy
leggings), buyer's remorse clutter (hanging on to expensive bad
purchases because you can't admit you made a mistake), aspirational
clutter (high heels you can't walk in, a tapestry you never finished),
freebie clutter (hideous family gifts) and nostalgic clutter (souvenirs
from an earlier life). It has one thing in common - it all has to go.
Each of these good thoughts made perfect sense to me. Especially the buyer's remorse.
The
most expensive thing in my wardrobe was a beautiful pink jacket
purchased in a moment of madness in New York and never worn. It made me
look like a peeled armadillo - but I couldn't admit the mistake, so I
kept it for years. Once I had packed it off to Dress For Success (a
charity which helps to empower women by supplying them with professional
attire), I was on my way.
As the
months marched on, I learnt to live without. Clothes were brutally
culled into a capsule wardrobe; boring but brilliant in the morning
rush.
Boxes of books were taken to charity shops - although I can never part with my copy of The Great Gatsby, so don't ask.
In
the kitchen, I chucked or donated everything that wasn't vital to my
new, streamlined existence. The pasta-maker, the Jamie Oliver
flavour-shaker, the unnecessary fruit-slicers, the surfeit of cutlery,
crockery and pans.
Now
we could never have anyone round for dinner because we only have enough
basics for the two of us. But why not? We always went out instead of
entertaining at home, anyway.
Look
around at my shelves and surfaces and you will find not one ornament,
knick-knack or keepsake in my entire home. What is all that stuff
anyway? It's only showing off. Photographs and treasured mementoes are
packed away in a box, desks clear of clutter to promote clear thoughts.
Visitors
think we have just moved in or are in the process of moving out, but
that is the way we have come to like it. I love that transient feeling
that living without brings; the belief that this place is not the end or
the final destination, that you are not tied by 1,000 invisible threads
to 1,000 curated objects that you've convinced yourself you love.
Instead, at any given moment I could simply pack a (small) suitcase and walk out of the door without regret.
Recently,
the fashion and homewares designer Orla Kiely declared that British
people hoard pointless clutter and have 'too much stuff'. It's a bit
rich coming from someone with a homewares line featuring more This
country is a rubbish tip of useless gadgets and curios impulse-bought
and crammed into cupboards or dubiously displayed on mantelpieces than 50
products, including a flower-print garden bin, but she's right.
This
country is a rubbish tip of useless gadgets and curios impulse-bought
and crammed into cupboards or dubiously displayed on mantelpieces. The
same objects move, like a shifting sand dune of tat, from home clear-out
to car boot sale to market stall to auction house to antique shop to
jumble sale to charity shop, then back under the sink again.
Kiely confessed that her products will ultimately contribute to this surfeit of bric-a-brac, but she is unrepentant.
'I am adding to it,' she admitted. 'But I hope people who buy my stuff will keep it for ever.'
Yet,
just as one man's objet trouvé is another man's ashtray, one woman's
prized leaf-print Kiely napkin is another's despised duster. And still
the mountain of jumble gets bigger and bigger.
Programmes
such as BBC2's Antiques Road Trip really don't help because they
glorify junk. It is a format which finds antiques experts - sometimes
celebrities - competing against each other to buy stuff nobody wants,
which is then sold at auction and bought by people with nothing better
to do.
In
one recent show, the team gaily bought a brass trumpet, a sandalwood
lizard, a pair of brass dogs and a Murano glass bowl big enough to bathe
a baby.
With
the best will in the world, none of these things would pass the William
Morris test: 'Have nothing in your home that you do not know to be
useful or believe to be beautiful.' Yet in the space of one short
television show they were purchased, sold and purchased again; more
jumble to tumble onto the national pile.
Please
don't think I'm being a terrible snob about this. People love different
things, even ugly things, for all sorts of complicated reasons - for
all sorts of lovely reasons. And there is nothing wrong with that.
It's
just that so much antiquing and acquiring and shopping and displaying
and cupboard-filling is just a waste of time, a reassurance of your own
existence that you can, believe me, live without.
Once
upon a time I, too, believed that surrounding myself with a comfort
blanket of things, that suffocating under stuff, was the outward
expression of happy consumerism, the only way to live.
Now I live without clutter, I realise I am so much happier without it all, and that's the way forward.
You still don't agree? Come over to my place and we can have some tea and a chat about it. You'll have to bring your own cup.
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